Brushed Alum Dark@2X #66
Dark CC BY-SA 3.0Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
More Textures
Tree and bird pattern #1982
Green CC 0From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Tessellation 16 (colour 5) #2211
Yellow CC 0The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Grey Sandbag@2X #642
Paper CC BY-SA 3.0A bit strange this one, but nice at the same time.
Source Diogo Silva
Decorative divider 220 #2230
Dark CC 0Prepared mostly as a raster in Paint.net and vectorised.
Source Firkin
Simple Horizontal Light #982
Light CC BY-SA 3.0Sometimes you just need the simplest thing.
Source Fabricio
Leafy design 18 (colour) #1786
Green CC 0From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Element of beach pattern with background #254
Noise CC 0Element of beach pattern with background.
Source Rones
Paper Fibers #1060
Paper CC BY-SA 3.0Just what the name says, paper fibers. Always good to have.
Source Heliodor jalba
Background pattern 323 #1807
Red CC 0Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Floral design #1985
Dark CC 0Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
blue wave-seigaiha #2535
Blue CC 0The image depicts the Japanese Edo pattern called "seigaiha" or "青海波" meaning "blue -sea- wave".I hope it's suitable for the summer season.
Source Yamachem
Background pattern 214 (colour 3) #2375
Green CC 0A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Craft Paper #1279
Yellow CC 0Zero CC tileable yellow craft paper; scanned and made by me. CC0
Source Sojan Janso
Leafy pattern 11 (colour) #1763
Green CC 0From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Polonez Pattern #334
Gray CC BY-SA 3.0A car pattern?! Can it be subtle? I say yes!
Source Radosław Rzepecki