Found on the ground in french cafe in kunming, Yunnan, china
Source Rejon
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
Prismatic Hypnotic Pattern No Background
Source GDJ
Sort of like the back of a wooden board. Light, subtle, and stylish, just the way we like it!
Source Nikolalek
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
Dark squares with some virus-looking dots in the grid.
Source Hugo Loning
Super subtle indeed, a medium gray pattern with tiny dots in a grid.
Source Designova
A seamless pattern formed from a tile made from page ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A web texture of brown canvas. Will look great, when used in dark web designs.
Source V. Hartikainen
White circles connecting on a light gray background.
Source Mark Collins
A re-make of the Gradient Squares pattern.
Source Dimitar Karaytchev
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
One more in the line of patterns inspired by Japanese/Asian styles. Smooth.
Source Kim Ruddock
From a drawing of the coat of arms of the Ottoman Empire on Wikimedia.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A dark metallic background with a pattern of stamped dots. Here's a dark "metallic" background pattern for you.
Source V. Hartikainen
Love me some light mesh on a Monday. Sharp.
Source Wilmotte Bastien
Inspired by a JPG that was uploaded to Pixabay by kokon_art
Source Firkin
The image is a seamless pattern of a fishnet.
Source Yamachem
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin