Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
Sort of like the Photoshop transparent background, but better!
Source Alex Parker
Prismatic Basic Pattern 2 No Background
Source GDJ
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
You may use it as is, or modify it as you like.
Source V. Hartikainen
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Might not be super subtle, but quite original in its form.
Source Alex Smith
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
It’s like Shine Dotted’s sister, only rotated 45 degrees.
Source mediumidee
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A simple example on using clones. You can generate a nice base for a pattern fill quickly with it.
Source Lazur URH
A bit strange this one, but nice at the same time.
Source Diogo Silva
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Adapted from an image that was uploaded to Pixabay by Anerma.
Source Firkin
Remixed from a drawing in 'Incidents on a Journey through Nubia to Darfoor', F. Ensor, 1891.
Source Firkin