Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
The name is totally random, but hey, it sounds good.
Source Atle Mo
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
It was called Navy Blue, but I made it dark. You know, the way I like it.
Source Ethan Hamilton
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
A series of 5 patterns. That’s what the P stands for, if you didn’t guess it.
Source Dima Shiper
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
A dark pattern made out of 3×3 circles and a 1px shadow. This works well as a carbon texture or background.
Source Atle Mo
Alternative colour scheme to the original.
Source Firkin
The original has been presented as black on transparent and stored in the pattern definitions. To retrieve the unit tile select the rectangle in Inkscape and use shift+alt+i
Source Firkin
A seamless pattern formed from background pattern 102
Source Firkin
A comeback for you: the popular Escheresque, now in black.
Source Patten
Abstract Tiled Background Extended 11
Source GDJ
Prismatic Geometric Pattern Background 2
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A black tile-able background with paper-like texture.
Source V. Hartikainen
Background formed from the original with an emboss effect
Source GDJ
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Derived from a JPG that was uploaded to Pixabay by ractapopulous
Source Firkin
From a drawing in 'Uit de geschiedenis der Heilige Stede te Amsterdam', Yohannes Sterck, 1898.
Source Firkin