More Textures
Background pattern 336 (colour 3) #1719
 Blue  CC 0

Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.

Source Firkin

Stucco@2X #295
 Wall  CC BY-SA 3.0

A nice and simple gray stucco material. Great on its own, or as a base for a new pattern.

Source Bartosz Kaszubowski

crissXcross@2X #112
 Dark  CC BY-SA 3.0

Dark pattern with some nice diagonal stitched lines crossing over.

Source Ashton

3px Tile #342
 Dark  CC BY-SA 3.0

Tiny dark square tiles with varied color tones.

Source Gre3g

Decorative divider 219 #2231
 Dark  CC 0

Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.

Source Firkin

Brushed Alum Dark #65
 Dark  CC BY-SA 3.0

Because I love dark patterns, here is Brushed Alum in a dark coating.

Source Tim Ward

Seamless Core Pattern 3 #167
 Dark  CC 0

Seamless Core Pattern 3

Source GDJ

Prismatic Dots Background 4 #507
 Noise  CC 0

Prismatic Dots Background 4

Source GDJ

Tessellation 16 (colour 4) #2212
 Green  CC 0

The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.

Source Firkin

Prismatic Geometric Pattern Background #407
 Noise  CC 0

Prismatic Geometric Pattern Background

Source GDJ

Diamond pattern (colour 5) #2281
 Red  CC 0

From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.

Source Firkin

Snowflake remix #155
 Dark  CC 0

A bit simplified version. Although it could be edited out to be simpler. Anyway, this time the tiling is converted to a pattern fill -which is using clipping for the tile's edges.

Source Lazur URH

Seamless 3D Isometric Tessellation Pattern 2 #147
 Light  CC 0

A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).

Source GDJ

Fancy Deboss #177
 Fabric  CC BY-SA 3.0

Luxury pattern, looking like it came right out of Paris.

Source Daniel Beaton