Black paper texture, based on two different images.
Source Atle Mo
Based from Design Kindle
Dark and hard, just the way we like it. Embossed triangles makes a nice pattern.
Source Ivan Ginev
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
You know you can’t get enough of these linen-fabric-y patterns.
Source James Basoo
More in the paper realm, this time with fibers.
Source Jorge Fuentes
The image depicts polka dot seamless pattern.
Source Yamachem
Remixed from a drawing that was uploaded to Pixabay by ractapopulous
Source Firkin
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Polka Dots Mark II No Background
Source GDJ
More Japanese-inspired patterns, Gold Scales this time.
Source Josh Green
Dead simple but beautiful horizontal line pattern.
Source Fabian Schultz
Simple combination of stripy squares with their negatively coloured counterparts
Source Firkin
White little knobs, coming in at 10x10px. Sweet!
Source Amos
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
A free light orange brown wallpaper with vertical stripes designed for use as a tiled background on websites. An yet another background pattern with vertical stripes.
Source V. Hartikainen
Sounds like something from World of Warcraft. Has to be good.
Source Tony Kinard
Prismatic Abstract Background Design No Black
Source GDJ
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin