A seamless texture of black leather. I think it will look best when used in headers, footers or sidebars.
Source V. Hartikainen
A simple bump filter made upon request at irc #inkscape at freenode. Made a screen capture of the making here: https://youtu.be/TGAWYKVLxQw
Source Lazur URH
Prismatic Curved Diamond Pattern 5 No Background
Source GDJ
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A nice one indeed, but I have a feeling we have it already? If you spot a copy, let me know on Twitter.
Source Graphiste
Smooth Polaroid pattern with a light blue tint.
Source Daniel Beaton
Sharp but soft triangles in light shades of gray.
Source Pixeden
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless background colored in pale orange. It has a paper like texture with diagonal grid pattern.
Source V. Hartikainen
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Light honeycomb pattern made up of the classic hexagon shape.
Source Federica Pelzel
Tiny circle waves, almost like the ocean.
Source Sagive
A seamless textured paper for backgrounds. Colored in pale orange hues.
Source V. Hartikainen
Derived from a drawing in 'Elfrica. An historical romance of the twelfth century', Charlotte Boger, 1885
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin