A repeating background for websites with a texture of black groove stripes.
Source V. Hartikainen
The name is totally random, but hey, it sounds good.
Source Atle Mo
Derived from an image that was uploaded to Pixabay by mdmelo.
Source Firkin
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin
Remixed from a drawing in 'An Index to Deering's Nottinghamia Vetus et Nova', Rupert Chicken, 1899. The unit tile can be had by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Used the 6th circle pattern designed by Viscious-Speed to create a print that can be used for card making or scrapbooking. Save as a PDF file for the best printing option.
Source Lovinglf
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
All good things come in threes, so I give you the third in my little concrete wall series.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Classic vertical lines, in all its subtlety.
Source Cody L
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin