No relation to the band, but damn it’s subtle!
Source Thomas Myrman
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Prismatic Curved Diamond Pattern No Background
Source GDJ
Colorful Floral Background 3 No Black
Source GDJ
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Nothing like a clean set of bed sheets, huh?
Source Badhon Ebrahim
You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
This texture looks like old leather. It should look great as a background on web pages.
Source V. Hartikainen
Vertical lines with a bumpy, yet crisp, feel to it.
Source Raasa
The original enhanced with some gradients.
Source Firkin
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
To get the repeating unit, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Inspired by a drawing seen in 'City of Liverpool', James Picton, 1883.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
From a drawing in 'Hyde Park from Domesday-Book to date', John Ashton, 1896.
Source Firkin
Just like your old suit, all striped and smooth.
Source Alex Berkowitz
This is a seamless pattern of regular hexagon which has a honeycomb structure.
Source Yamachem
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor