No relation to the band, but damn it’s subtle!
Source Thomas Myrman
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
After 1 comes 2, same but different. You get the idea.
Source Hendrik Lammers
From a drawing in 'Danmarks Riges Historie af J. Steenstrup, Kr. Erslev, A. Heise, V. Mollerup, J. A. Fridericia, E. Holm, A. D. Jørgensen', 1897.
Source Firkin
Semi-light fabric pattern made out of random pixels in shades of gray.
Source Atle Mo
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Dark blue concrete wall with some small dust spots.
Source Atle Mo
Remixed from a drawing in 'Canadian forest industries July-December', 1915
Source Firkin
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
This was formed by distorting an image of a background on Pixabay.
Source Firkin
The original enhanced with one of Inkscapes's filters.
Source Firkin
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Bright Multicolored Floral Background by Karen Arnold from PDP.
Source GDJ
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Retro Circles Background 5 No Black
Source GDJ
This is a seamless pattern which is derived from a flower petal image.
Source Yamachem
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Zero CC tileable pine bark texture, photographed and made by me. CC0
Source Sojan Janso