A large (588x375px) sand-colored pattern for your ever-growing collection. Shrink at will.
Source Alex Tapein
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
The first pattern on here using opacity. Try it on a site with a colored background, or even using mixed colors.
Source Nathan Spady
Sort of like the back of a wooden board. Light, subtle, and stylish, just the way we like it!
Source Nikolalek
A seamless texture of an abstract wall colored in shades of light orange brown.
Source V. Hartikainen
Did anyone say The Hoff? This pattern is in no way related to Baywatch.
Source Josh Green
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
8 by 8 pixels, and just what the title says.
Source pixilated
Tiny little fibers making a soft and sweet look.
Source Badhon Ebrahim
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
This was formed by distorting an image of a background on Pixabay.
Source Firkin
This is the remix of "Colorful Floral Pattern Background 3" uploaded by "GDJ". Thanks.
Source Yamachem
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
Prismatic Basic Pattern 2 No Background
Source GDJ
Zero CC tileable Laminate wood texture, photographed and made by me. CC0
Source Sojan Janso
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
Prismatic Geometric Pattern Background No Black
Source GDJ
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
From a drawing in 'A Guide to the Guildhall of the City of London', John Baddeley, 1898.
Source Firkin