Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Just like the black maze, only in light gray. Duh.
Source Peax
An attempt for cleaning up the original image in a few steps.
Source Lazur URH
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
Nicely crafted paper pattern, although a bit on the large side (500x593px).
Source Blaq Annabiosis
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
Dead simple but beautiful horizontal line pattern.
Source Fabian Schultz
A nice and simple gray stucco material. Great on its own, or as a base for a new pattern.
Source Bartosz Kaszubowski
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
A seamless pattern formed from a modified version of rwwgub's tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
This one resembles a black concrete wall when is tiled. It should look great, at least with dark website themes.
Source V. Hartikainen
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
Remixed from a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
Prismatic Abstract Geometric Background 5
Source GDJ
This is a semi-dark pattern, sort of linen-y.
Source Sagive SEO
Some more diagonal lines and noise, because you know you want it.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin