Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
The classic subtle pattern. Sort of wall/brick looking. Or moon-looking?
Source Joel Klein
I love these crisp, tiny, super subtle patterns.
Source Badhon Ebrahim
Prismatic Curved Diamond Pattern 5 No Background
Source GDJ
A playful triangle pattern with different shades of gray.
Source Dimitrie Hoekstra
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Looks a bit like concrete with subtle specks spread around the pattern.
Source Mladjan Antic
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
Snap! It’s a pattern, and it’s not grayscale! Of course you can always change the color in Photoshop.
Source Atle Mo
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Derived from a PNG that was uploaded to Pixabay by nutkitten
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin