A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
Prismatic Rounded Squares Grid 3 No Background
Source GDJ
Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
Background pattern originally a PNG drawn in Paint.net
Source Firkin
From a drawing in 'Hyde Park from Domesday-Book to date', John Ashton, 1896.
Source Firkin
Background formed from the iconic plastic construction bricks that gave me endless hours of fun when I was a lad.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
A floral background formed from numerous clones of flower 117.
Source Firkin
A topographic map like this has actually been requested a few times, so here you go!
Source Sam Feyaerts
Found on the ground in french cafe in kunming, Yunnan, china
Source Rejon
Number 5 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
Fix side and a seamless pattern formed from circles.
Source SliverKnight
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
A seamless pattern formed from a tile made from ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
Produced using the clouds, flames and glass blocks plug-ins in Paint.net and the resulting .PNG vectorised with Vector Magic.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Have you wondered about how it feels to be buried alive? Here is the pattern for it.
Source Hendrik Lammers
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor