To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Fix and cc0 to get the tile this is based on.
Source SliverKnight
Actually remixed from a pattern on Pixabay. But then noticed a very similar one on Openclipart.org uploaded by btj51q2.
Source Firkin
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Dare I call this a «flat pattern»? Probably not.
Source Dax Kieran
Hexagonal dark 3D pattern. What more can you ask for?
Source Norbert Levajsics
One more updated pattern. Not really carbon fiber, but it’s the most popular pattern, so I’ll give you an extra choice.
Source Atle Mo
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
This is indeed a bit strange, but here’s to the crazy ones!
Source Christopher Buecheler
Prismatic Triangular Background Design Mark II 5
Source GDJ
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Hexagonalist Pattern No Background
Source GDJ
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Brushed aluminum, in a bright gray version. Lovely 2X as well.
Source Andre Schouten
Looks like an old wall. I guess that’s it then?
Source Viahorizon
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin