Zero CC Mossy stone tileable texture, photographed and made by me. CC0
Source Sojan Janso
Background Wall, Art Abstract, Star Well & CC0 texture.
Source Ractapopulous
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
Remixed from a JPG that was uploaded to Pixabay by theasad121
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
I have no idea how to describe this one, but it’s light and delicate.
Source JBasoo
Simple wide squares with a small indent. Fits all.
Source Petr Šulc.
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Retro Circles Background 4 No Black
Source GDJ
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Polka Dots Mark II No Background
Source GDJ
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.
Source Atle Mo
I have no idea what J Boo means by this name, but hey – it’s hot.
Source j Boo
I guess this one is inspired by an office. A dark office.
Source Andrés Rigo.
The original has been presented as black on transparent and stored in the pattern definitions. To retrieve the unit tile select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin