Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
It has waves, so make sure you don’t get sea sickness.
Source CoolPatterns
A light gray wall or floor (you decide) of concrete.
Source Atle Mo
One more brick pattern. A bit more depth to this one.
Source Benjamin Ward
A seamless background of warped stripes on paper.
Source V. Hartikainen
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
Prismatic Curved Diamond Pattern 7 No Background
Source GDJ
The tile can be had by selecting the rectangle in Inkscape and using shift+alt+i. Remixed from a drawing in 'Flowers of Song', Frederick Weatherly, 1895.
Source Firkin
The image is a seamless pattern of a fishnet.
Source Yamachem
Background formed from the original with an emboss effect.
Source Firkin
A seamless web texture of "green stone".
Source V. Hartikainen
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
Inspired by the B&O Play, I had to make this pattern.
Source Atle Mo
It’s an egg, in the form of a pattern. This really is 2012.
Source Paul Phönixweiß
If you’re sick of the fancy 3D, grunge and noisy patterns, take a look at this flat 2D brick wall.
Source Listvetra
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
If you’re sick of the fancy 3D, grunge and noisy patterns, take a look at this flat 2D brick wall.
Source Listvetra
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
Remixed from a drawing in 'Analecta Eboracensia', Thomas Widdrington, 1897.
Source Firkin
Might not be super subtle, but quite original in its form.
Source Alex Smith