Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Kaleidoscope Prismatic Abstract No Background
Source GDJ
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
The classic subtle pattern. Sort of wall/brick looking. Or moon-looking?
Source Joel Klein
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless design of flowers remixed from a jpg on Pixabay by Prawny.
Source Firkin
A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
Pattern #100! A black classic knit-looking pattern.
Source Factorio.us Collective
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
Used the 6th circle pattern designed by Viscious-Speed to create a print that can be used for card making or scrapbooking. Save as a PDF file for the best printing option.
Source Lovinglf
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
Inspired by a drawing in 'Poems', James Smith, 1881.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Plywood Web Background background image for use in web design.
Source V. Hartikainen
Classic vertical lines, in all its subtlety.
Source Cody L
Colour version of the original seamless pattern.
Source Firkin
Colorful Floral Background 3 No Black
Source GDJ
If you want png files of thisu can download them here :
Source Viscious-Speed
A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).
Source GDJ
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
The name is totally random, but hey, it sounds good.
Source Atle Mo
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić