Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Prismatic Hexagonalist Pattern No Background
Source GDJ
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
The perfect pattern for all your blogs about type, or type-related matters.
Source Atle Mo
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
Prismatic Polka Dots Mark II No Background
Source GDJ
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
This is the remix of "blue wave-seigaiha".The image depicts a seamless pattern of the front upper part of Japanese five yen coin which is used currently.This design represents a rice with ripe golden ears.
Source Yamachem
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
A slightly more textured pattern, medium gray. A bit like a potato sack?
Source Bilal Ketab
A floral background formed from numerous clones of flower 117.
Source Firkin
Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
A seamless pattern formed from a modified version of rwwgub's tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo