Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
Not the most creative name, but it’s a good all-purpose light background.
Source Dmitry
A seamless background tile of aged paper with shabby look.
Source V. Hartikainen
The original enhanced with one of Inkscapes's filters.
Source Firkin
Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
A huge one at 800x600px. Made from a photo I took going home after work.
Source Atle Mo
A dark striped seamless pattern suitable for use as a background on websites.
Source V. Hartikainen
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A beautiful dark padded pattern, like an old classic sofa.
Source Chris Baldie
Some dark 45 degree angles creating a nice pattern. Huge.
Source Dark Sharp Edges
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Rounded Squares Grid 3 No Background
Source GDJ
Dark blue concrete wall with some small dust spots.
Source Atle Mo
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
From a drawing in 'Codogno e il suo territorio nella cronaca e nella storia'', Gio and Giarella Cairo, 1897.
Source Firkin
As the original image 's page size is too large for its image size, I remixed it.
Source Yamachem
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
Looks a bit like concrete with subtle specks spread around the pattern.
Source Mladjan Antic
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor