A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
ZeroCC tileabel stone granite texture, edited from pixabay. CC0
Source Sojan Janso
Very dark pattern with some noise and 45-degree lines.
Source Stefan Aleksić
Just to prove my point, here is a slightly modified dark version.
Source Atle Mo
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Love me some light mesh on a Monday. Sharp.
Source Wilmotte Bastien
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
Prismatic Basic Pattern 2 No Background
Source GDJ
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Derived from a corner decoration itself found as a jpg on Pixabay.
Source Firkin
No idea what Nistri means, but it’s a crisp little pattern nonetheless.
Source Markus Reiter
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Looks a bit like concrete with subtle specks spread around the pattern.
Source Mladjan Antic
Prismatic Abstract Line Art Pattern Background 2
Source GDJ
Prismatic Curved Diamond Pattern No Background
Source GDJ
Redrawn based on a drawing in 'По Сѣверо-Западу Россіи' Konstantin Sluchevsky, 1897.
Source Firkin