A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Found on the ground in french cafe in kunming, Yunnan, china
Source Rejon
Light honeycomb pattern made up of the classic hexagon shape.
Source Federica Pelzel
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Seamless SVG vector and JPG backgrounds with faded diagonal stripes. The colors are editable.
Source V. Hartikainen
Small dots with minor circles spread across to form a nice mosaic.
Source John Burks
Geometric lines are always hot, and this pattern is no exception.
Source Listvetra
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
The name tells you it has curves. Oh yes, it does!
Source Peter Chon
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
Number 3 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
A seamless texture of black leather. I think it will look best when used in headers, footers or sidebars.
Source V. Hartikainen
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Seamless Olive Green Web Background Image
Source V. Hartikainen
A beautiful dark padded pattern, like an old classic sofa.
Source Chris Baldie
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
A seamless pattern with a unit cell drawn as a bitmap in Paint.net and vectorized in Vector Magic.
Source Firkin
To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Old China with a modern twist, take two.
Source Adam Charlts
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
A comeback for you: the popular Escheresque, now in black.
Source Patten
The perfect pattern for all your blogs about type, or type-related matters.
Source Atle Mo
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev