A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Retro Circles Background 7 No Black
Source GDJ
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
From a drawing in 'La Principauté de Liège et les Pays-Bas au XVIe siècle', Société des Bibliophiles Liégeois ,1887.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Prismatic Snowflakes Pattern 2 No Background
Source GDJ
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Dark squares with some virus-looking dots in the grid.
Source Hugo Loning