Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.
Source Firkin
Very dark pattern with some noise and 45-degree lines.
Source Stefan Aleksić
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
The green fibers pattern will work very well in grayscale as well.
Source Matteo Di Capua
No, not the band but the pattern. Simple squares in gray tones, of course.
Source Atle Mo
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
An alternative colour scheme for the original seamless texture formed from an image on Pixabay.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Submitted as a black pattern, I made it light and a few steps more subtle.
Source Andy
Colored maple leaves scattered on a surface. This is tileable, so it can be used as a background or wallpaper.
Source Eady
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Found on the ground in french cafe in kunming, Yunnan, china
Source Rejon
Dare I call this a «flat pattern»? Probably not.
Source Dax Kieran
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin