Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Zero CC tileable dry grass texture, photographed and made by me. CC0
Source Sojan Janso
Seamless SVG vector and JPG backgrounds with faded diagonal stripes. The colors are editable.
Source V. Hartikainen
ZeroCC tileable mossy (lichen) stone texture, edited from pixabay. CC0
Source Sojan Janso
No, not the band but the pattern. Simple squares in gray tones, of course.
Source Atle Mo
The image is a remix of "edo pattern-samekomon".I changed the color of dots from black to white and added BG in light-yellow.
Source Yamachem
Classic vertical lines, in all its subtlety.
Source Cody L
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Snowflakes Pattern No Background
Source GDJ
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
If you’re sick of the fancy 3D, grunge and noisy patterns, take a look at this flat 2D brick wall.
Source Listvetra
Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
This is the remix of "Strawberry Pattern Background" uploaded by "GDJ". Thanks. I realigned strawberries so as to get seamless and changed the BG color.
Source Yamachem
Remixed from a drawing in 'Prehistoric Man: researches into the origin of civilisation in the old and the new world', Daniel Wilson, 1876.
Source Firkin
I’m not going to lie – if you submit something with the words Norwegian and Rose in it, it’s likely I’ll publish it.
Source Fredrik Scheide
As simple and subtle as it gets. But sometimes that’s just what you want.
Source Designova
Background formed from the original with an emboss effect
Source GDJ
Prismatic Floral Background No Black
Source GDJ
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin