To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Retro Circles Background 5 No Black
Source GDJ
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Prismatic Hypnotic Pattern 2 No Background
Source GDJ
The starting point for this was drawn on the web site steamcoded.org/PolyskelionMaker.svg
Source Firkin
Retro Circles Background 4 No Black
Source GDJ
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
A lovely light gray pattern with stripes and a dash of noise.
Source V. Hartikainen
From a drawing in 'Az Osztrák-Magyar Monarchia irásban és képben', 1885.
Source Firkin
There are quite a few grid patterns, but this one is a super tiny grid with some dust for good measure.
Source Dominik Kiss
A slightly grainy paper pattern with small horizontal and vertical strokes.
Source Atle Mo
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
Here's an yet another seamless note paper texture for use as a background on websites.
Source V. Hartikainen
The image depicts a pattern of regular hexagon.As I made to use it for myself,I want to others to use it.Speaking about the ratio of the image, height : width = 2 : √3(1.732...)Ridiculous to say,I realized later that this image is not honey comb pattern.I have to slide the second row.
Source Yamachem
Abstract Ellipses Background Grayscale
Source GDJ
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin