Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
After 1 comes 2, same but different. You get the idea.
Source Hendrik Lammers
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
This one is amazing, truly original. Go use it!
Source Viahorizon
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
This one takes you back to math class. Classic mathematic board underlay.
Source Josh Green
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
Use shift+alt+i on the selected rectangle in Inkscape to get the tile this is based on
Source Firkin
Seamless Prismatic Pythagorean Line Art Pattern No Background. A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).
Source GDJ
The image depicts an edo-era pattern called "same-komon" or "鮫小紋"which looks like a shark skin.The "same" in Japanese means shark in English.
Source Yamachem
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
A seamless background of warped stripes on paper.
Source V. Hartikainen
The image depicts a seamless pattern which was made using stripe-like things including borders.I used OCAL cliparts called "Blue Greek Key With Lines Border" uploaded by "GR8DAN" and "daisy border" uploaded by "johnny_automatic".Thanks.
Source Yamachem
Kaleidoscope Prismatic Abstract No Background
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
White fabric looking texture with some nice random wave features.
Source Hendrik Lammers
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin