You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
This texture looks like old leather. It should look great as a background on web pages.
Source V. Hartikainen
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Prismatic Geometric Tessellation Pattern No Background
Source GDJ
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.
Source Josh Green
A seamless pattern formed from a square tile based on a jpg on Pixabay. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
The image depicts a pattern of regular hexagon.As I made to use it for myself,I want to others to use it.Speaking about the ratio of the image, height : width = 2 : √3(1.732...)Ridiculous to say,I realized later that this image is not honey comb pattern.I have to slide the second row.
Source Yamachem
Prismatic Curved Diamond Pattern 8 No Background
Source GDJ
Tiny, tiny 3D cubes. Reminds me of the good old pattern from k10k.
Source Etienne Rallion
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Prismatic Groovy Concentric Background 5
Source GDJ
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin