It almost looks a bit blurry, but then again, so are fishes.
Source Petr Šulc
A lovely light gray pattern with stripes and a dash of noise.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
Beautiful dark noise pattern with some dust and grunge.
Source Vincent Klaiber
Washi (和紙?) is a type of paper made in Japan. Here’s the pattern for you!
Source Carolynne
Everyone needs some stardust. Sprinkle it on your next project.
Source Atle Mo
This one is super crisp at 2X. Lined paper with some dust and scratches.
Source HQvectors
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
We have some linen patterns here, but none that are stressed. Until now.
Source Jordan Pittman
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
A seamless pattern made from the gold Penrose triangle by GDJ and the two remixes
Source Firkin
Nice and simple crossed lines in dark gray tones.
Source Stefan Aleksić
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
You know, tiny and sharp. I’m sure you’ll find a use for it.
Source Atle Mo
A light background pattern with diagonal stripes. Here's a simple light striped background for you.
Source V. Hartikainen
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
Awesome name, great pattern. Who does not love space?
Source Nick Batchelor
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
White circles connecting on a light gray background.
Source Mark Collins
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
Classic vertical lines, in all its subtlety.
Source Cody L