To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
ZeroCC tileable mossy (lichen) stone texture, edited from pixabay. CC0
Source Sojan Janso
Derived from an image that was uploaded to Pixabay by Darkmoon1968
Source Firkin
Love the style on this one, very fresh. Diagonal diamond pattern. Get it?
Source INS
Similar to original, but without gaps in between the arrows. This seamless pattern was created from a rectangular tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
The image is a design of blue glass.How about using it as background image?
Source Yamachem
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
The tile this is based on was adapted from an image that was uploaded to Pixabay by frolicsomepl. It can be had in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Prismatic Curved Diamond Pattern 5 No Background
Source GDJ
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
Colour version of the original pattern.
Source Firkin
No relation to the band, but damn it’s subtle!
Source Thomas Myrman
A free seamless texture of reptile skin colored in a dark brown color. As always, you may use it as a repeated background image in your web design works, or for any other purposes.
Source V. Hartikainen
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
Might not be super subtle, but quite original in its form.
Source Alex Smith
From a drawing in 'Hubert Montreuil, or the Huguenot and the Dragoon', Francisca Ouvry, 1873.
Source Firkin