Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Lovely pattern with some good-looking non-random noise lines.
Source Zucx
A new one called white wall, not by me this time.
Source Yuji Honzawa
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
This beige background pattern resembles a concrete wall with engravings or something similar to it.
Source V. Hartikainen
Just like your old suit, all striped and smooth.
Source Alex Berkowitz
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Just what the name says, paper fibers. Always good to have.
Source Heliodor jalba
A free repetitive background with a dark concrete wall like texture. This one may be used in dark web site designs.
Source V. Hartikainen
This background image has seamless texture that resembles a surface of gray stone.
Source V. Hartikainen
You know you can’t get enough of these linen-fabric-y patterns.
Source James Basoo
Prismatic 3D Isometric Tessellation Pattern 6
Source GDJ
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
From a drawing in 'Navigations de Alouys de Cademoste.-La Navigation du Capitaine Pierre Sintre', Alvise da ca da Mosto, 1895.
Source Firkin
Derived from an image that was uploaded to Pixabay by TheDigitalArtist
Source Firkin
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
Background formed from the original with an emboss effect.
Source Firkin