To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Not even 1kb, but very stylish. Gray thin lines.
Source Struck Axiom
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
From a drawing in 'Danmarks Riges Historie af J. Steenstrup, Kr. Erslev, A. Heise, V. Mollerup, J. A. Fridericia, E. Holm, A. D. Jørgensen', 1897.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
A seamless dark leather-like background texture with diagonal lines that look like stitches.
Source V. Hartikainen
Nicely crafted paper pattern, although a bit on the large side (500x593px).
Source Blaq Annabiosis
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
Alternative colour scheme for the original floral pattern.
Source Firkin
Colour version of the original pattern.
Source Firkin
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
Seamless Prismatic Quadrilateral Line Art Pattern No Background
Source GDJ
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Non-seamless pattern drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
More Japanese-inspired patterns, Gold Scales this time.
Source Josh Green
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin