More Textures
Background pattern 272 #2057
 Brown  CC 0

A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i

Source Firkin

Prismatic Dots Background 4 #507
 Noise  CC 0

Prismatic Dots Background 4

Source GDJ

Ribbon pattern 2 (version 2, colour 6) #2034
 Pink  CC 0

The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.

Source Firkin

Robots #125
 Dark  CC BY-SA 3.0

And some more testing, this time with Seamless Studio. It’s Robots FFS!

Source Seamless Studio

Background pattern 224 (colour 6) #2337
 Colorful  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Zodiac pattern (black background) #267
 Dark  CC 0

A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. Version with black background.

Source Firkin

Decorative divider 232 #2148
 Dark  CC 0

From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.

Source Firkin

"Grunge-Like" Background Pattern #1126
 Grunge  CC BY-SA 3.0

Background pattern made in "Grunge-Like" style. Available in both SVG and JPG formats. Edit to your needs then click the download button.

Source V. Hartikainen

Textured Red Brown Plastic #878
 Wood  CC BY-SA 3.0

Textured Red Brown Plastic, Free Background Pattern. Although there's already enough plastic in our lives, let's bring it to the web too.)

Source V. Hartikainen

Floral Pattern Background 3 #218
 Noise  CC 0

PDP

Source GDJ

Background pattern pink #1948
 Pink  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Groovepaper #577
 Paper  CC BY-SA 3.0

With a name like this, it has to be hot. Diagonal lines in light shades.

Source Isaac

Checkered Pattern@2X #323
 Grid  CC BY-SA 3.0

Simple gray checkered lines, in light tones.

Source Radosław Rzepecki