To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Same classic 45-degree pattern, dark version.
Source Luke McDonald
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A light gray wall or floor (you decide) of concrete.
Source Atle Mo
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Same as the black version, but now in shades of gray. Very subtle and fine grained.
Source Atle Mo
One more updated pattern. Not really carbon fiber, but it’s the most popular pattern, so I’ll give you an extra choice.
Source Atle Mo
A simple example on using clones. You can generate a nice base for a pattern fill quickly with it.
Source Lazur URH
A lot of people like the icon patterns, so here’s one for your restaurant blog.
Source Andrijana Jarnjak
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
Derived from an image that was uploaded to Pixabay by darkmoon1968
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. A version of the original with random colors.
Source Firkin
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
People seem to enjoy dark patterns, so here is one with some circles.
Source Atle Mo
Based on an image that was uploaded to Pixabay by devanath
Source Firkin
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski
Inspired by a JPG that was uploaded to Pixabay by kokon_art
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin