Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Remixed from a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
A seamless background texture of old cardboard.
Source V. Hartikainen
Floral patterns might not be the hottest thing right now, but you never know when you need it!
Source Lauren
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin
Floral patterns will never go out of style, so enjoy this one.
Source Lasma
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Beautiful dark noise pattern with some dust and grunge.
Source Vincent Klaiber
Continuing the geometric trend, here is one more.
Source Mike Warner
Prismatic Hypnotic Pattern No Background
Source GDJ
Geometric triangles seem to be quite hot these days.
Source Pixeden
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
An alternative colour scheme for the original seamless texture formed from an image on Pixabay.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Hexagonal dark 3D pattern. What more can you ask for?
Source Norbert Levajsics
Same as gray sand but lighter. A sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
Semi-light fabric pattern made out of random pixels in shades of gray.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A good starting point for a cardboard pattern. This would work well in a variety of colors.
Source Atle Mo
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin