Submitted in a cream color, but you know how I like it.
Source Devin Holmes
Remixed from a drawing in 'Works. Popular edition', John Ruskin, 1886.
Source Firkin
The image depicts meshed silhouettes of various things.The original image is an OCAL clipart called "Enter FOSSASIA 2016 #IoT T-shirt Design Contest" uploaded by "openclipart".Thanks.
Source Yamachem
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
Not a flat you live inside, like in the UK – but a flat piece of cardboard.
Source Appleshadow
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A free seamless texture of reptile skin colored in a dark brown color. As always, you may use it as a repeated background image in your web design works, or for any other purposes.
Source V. Hartikainen
Number 3 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
I have no idea what J Boo means by this name, but hey – it’s hot.
Source j Boo
Adapted from an image that was uploaded to Pixabay by Anerma.
Source Firkin
This light blue background pattern is quite pleasing to the eye, it consists of a tiny rough grid pattern, which is seamless by design. That's it, if you like the color, you can use this seamless pattern in a web design without making any further modifications to it.
Source V. Hartikainen
Derived from a drawing in 'Elfrica. An historical romance of the twelfth century', Charlotte Boger, 1885
Source Firkin
Classic vertical lines, in all its subtlety.
Source Cody L