The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
After 1 comes 2, same but different. You get the idea.
Source Hendrik Lammers
Number 1 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
Feel free to use this seamless background texture as a background on a web site. It's colored in a light pink color and is seamlessly tile-able.
Source V. Hartikainen
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Dark squares with some virus-looking dots in the grid.
Source Hugo Loning
Derived from a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Light and tiny, just the way you like it.
Source Rohit Arun Rao
From drawing in 'Musings in Maoriland', Thomas Bracken, 1890.
Source Firkin
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
Lovely pattern with splattered vintage speckles.
Source David Pomfret
The name Paisley reminds me of an old British servant. That’s just me.
Source Swetha
Not the most creative name, but it’s a good all-purpose light background.
Source Dmitry
Otis Ray Redding was an American soul singer-songwriter, record producer, arranger, and talent scout. So you know.
Source Thomas Myrman
It looks like a polished stone surface to me. Download it for free, as always.
Source V. Hartikainen
Zero CC tileable Crackled Cement (streaks) texture, photographed and made by me. CC0
Source Sojan Janso
You know, tiny and sharp. I’m sure you’ll find a use for it.
Source Atle Mo
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Inspired by a pattern found in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin