A seamless web background with texture of aged grid paper.
Source V. Hartikainen
White little knobs, coming in at 10x10px. Sweet!
Source Amos
Imagine you zoomed in 1000X on some fabric. But then it turned out to be a skeleton!
Source Angelica
One can never have too few rice paper patterns, so here is one more.
Source Atle Mo
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Abstract Ellipses Background Grayscale
Source GDJ
This is the third pattern called Dark Denim, but hey, we all love them!
Source Brandon Jacoby
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Prismatic Rounded Squares Grid 3 No Background
Source GDJ
The image depicts a seamless pattern which was made using stripe-like things including borders.I used OCAL cliparts called "Blue Greek Key With Lines Border" uploaded by "GR8DAN" and "daisy border" uploaded by "johnny_automatic".Thanks.
Source Yamachem
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Inspired by a pattern found in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
Background Wall, Art Abstract, Blue Well & CC0 texture.
Source Ractapopulous
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Have you wondered about how it feels to be buried alive? Here is the pattern for it.
Source Hendrik Lammers
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin