Bit of a strange name on this one, but still nice. Tiny gray square things.
Source Carlos Valdez
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Inspired by a drawing in 'Poems', James Smith, 1881.
Source Firkin
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Derived from a JPG that was uploaded to Pixabay by ractapopulous
Source Firkin
A simple but elegant classic. Every collection needs one of these.
Source Christopher Burton
Derived from a PNG that was uploaded to Pixabay by nutkitten
Source Firkin
Medium gray pattern with small strokes to give a weave effect.
Source Catherine
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Feel free to download this "Dark Wood" background texture for your web site. The background tiles seamlessly!
Source V. Hartikainen
A seamless pattern formed from a sports car on clker.com. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
Bit of a strange name on this one, but still nice. Tiny gray square things.
Source Carlos Valdez
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
A seamless background pattern of dark brown wood planks.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Remixed from a drawing in 'Works. Popular edition', John Ruskin, 1886.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley